Not trying to keep on time with it but I do want to get through all the 28 croquis cafe videos. I have started keeping a life drawing sketchbook this will be great for filling it!
I have never used water colours before, it’s an overcast cold January day so I thought why not.
I learned very quickly that watercolours are nothing like acrylic... I cannot work from dark to light. I kept looking for the white that wasn’t there... Next time watercolour’s, next time.
It’s a while ago now but here is more of my mermaid inktober!
I have never done inktober before the options for the words seemed endless to pin an idea down.... This year someone around me mentioned picking a theme, so obvious!
So in honour of our susessful Encounters With The Imaginary kickstarter I decided the best thing to do was keep on mermaid-ing!!
Waiting for the new series to come out, so delayed.
Friday was a sketchathon promotion for our Encounters With The Imaginary kickstarter! I drew the requested Penanggalan, a floating disembodied vampire.
I have been going to wild life drawing quite a while now and posting some of the drawings on my instagram, I thought it might be fun to share the ones that didn't make it along with some of the photos I took during class!
Today's subject was 2 baby barn owls, here is what they looked like only a month ago...
And this is what they looked like today!
They grow up so fast! Plus this time they had a friend a fluffy tawny owl called Fudge.
Here are all today's drawings!
I have been working with Boneshaker press to create the second volume of their Encounters with the Imaginary anthology! My imaginary creature of choice was Melusine, a tragic cursed 2 tailed mermaid and unbeknownst poster girl for Starbucks. Feeling her true origin should be known when you buy that next cup of coffee, give a thought to the girl who turns into a double mermaid who none may lay eyes upon!
These are are a selection of my original ideas, some even made it through to the book.
The kickstarter is LIVE right now, with a chance to grab Encounters with the Imaginary volume 1!!
Hello to all those thinking about Chris Oatley's Painting Drama , whether you think the course may or may not be for you or if you just teetering on the fence, I thought I would share a little of my Painting Drama G4 experience.
'It's not what you think it is!'
Surprisingly you may notice my site doesn't have much in the way of 'Painting', I think the main thing that Painting Drama has hammered home for me is I'm not a painter, I love story and visual storytelling but not so much the stroke of the digital paintbrush.
However if you find yourself like I did thinking 'I have a passion for drawing, I love lines and the rough expression of a sketch, but I have no idea about composition nor do I have a favourite fine artist....' Then apply!
Apply because it will honestly change the way you create all forms of art, if you think yourself 'just' a drawer then it will help you so much. I approach my work differently, I create personal artwork differently and I have a genuine appreciation and understanding of the masters of old. Finally after a lifetime of art school one man has broken down composition and painting, so much, that I now understand what all those old painted eyes staring at me are trying to say and its fascinating! It has even transferred over to the way I write, think about and construct story.
Now to the course, it's got its moments (lol yeah 'that' week!). It's full on (you will see that in the application process) it's a lot of work, Chris is supportive, honest and loves a rant (which are amazing!), you will laugh, cry then hysterical crylaugh with your classmates. With out sounding cryptic it was nothing like I expected it to be, but it was jam packed with information I needed, information that leaves you wondering 'Why does no one teach you this at school??'. Also if you can get to the hangouts (being in the UK I was in nobodies time zone so found it difficult at times) do! Your classmates are amazing and they are invaluable. The course is worth it for those people alone.
In short, would I recommend Painting Drama? Yes
Would I do it all over again? Yes
Do I think you should apply? YES!
Good luck PD G5!
Did some sketching while on a mini spa break, here I used my trusted pocket brush pen again. It was a glorious day lots of sunshine a grand building and lots of lounging ladies!
Went to the MCM London Comic Con on Friday. These are two little sketches I drew in the games section, I used my trusty Pocket Brush Pen. The top image is the queue for the VR section and the bottom a little kid glued to the console with the gallery of famous people behind him.
I went sketching in Central London. The top sketch is my view of Van Gogh's sunflowers, a wall of people and one couple absorbed only in their phones. The bottom sketch is a busker outside of the National Gallery.
This is my last Schoolism Gesture course assignment, it was story. We had to make a story based off of 10 life model poses, this is my result. The lady in question is a recovering cupcake addict, but the temptation proves to much and she gets escorted out of the bakery by security. :D
Recently drew a lot of mice for a gesture assignment.
I'm currently doing Schoolism's gesture drawing course, I'm probably about halfway through right now it's great fun and I'm learning loads I can feel my drawing getting looser as I go, exciting stuff! These are a pick of some of my faves!
I have a Pental Pocket Brush Pen that I have fallen in love with but the refills here in the UK seem impossible to find. I had recently brought a new jar of black Quink ink and the thought occurred that I could just use that and a paintbrush! It seems so obvious now.
A few of these have been on my Instagram but I wanted to share these as its the first time in years it feels like I actually have a working sketchbook again.
I've never tried to comp values before especially not in charcoal. These are some thumbnails studies I done while trying to find a good composition for a piece on Sirens. I couldn't decide if I should go with Mermaid or bird sirens, in end I went with bird sirens.
When the radio silence fell I had just been accepted onto The Oatley Academy of Visual Storytelling's Painting Drama course. The subsequent time between then and now is that I have now finished Painting Drama. It was tough, it was intense, it took up every free waking hour and it was certainly worth doing!
I am also mid way through the Schoolism Gesture Drawing course which is a ton of fun. I'm hoping when I have completed this one both their powers will combine and I will paint Captain Planet!